Mark Edwards is the artistic director of Poiesis. First prize winner in the 2012 Musica Antiqua Bruges International Harpsichord Competition, Canadian harpsichordist and organist Mark Edwards is recognized for his captivating performances, bringing the listener “to new and unpredictable regions, using all of the resources of his instrument, […] of his virtuosity, and of his imagination” (La Libre Belgique). Since 2016, he is Assistant Professor of Harpsichord at Oberlin Conservatory.
He has given solo recitals at a number of prominent festival and concert series, including the Utrecht Early Music Festival, Bozar (Brussels), the Montreal Baroque Festival, and Clavecin en concert (Montreal). He has had concerto performances with a number of award-winning ensembles, including Il Gardellino (Belgium), Neobarock (Germany), and Ensemble Caprice (Canada). Also an active chamber musician, he plays with Les Boréades de Montréal and has played with Il Pomo d’Oro, Pallade Musica, and Flûtes Alors!
Joanna Marsden is a flautist from Lincoln, Massachusetts. She has performed recently in Belgium, Canada, France, Mexico, the Netherlands, Spain, Portugal, the United Kingdom, and the United States “beautifully” (Luis Gago, Madrid) and “with notable rhetorical clarity” (Boston Musical Intelligencer). She is a founding member of Symphonie Atlantique, a conductorless chamber orchestra led from the violin by Rebecca Huber dedicated to the Classical and Romantic repertoire based in the Hague, the Netherlands. Her favourite teachers include Wilbert Hazelzet (Royal Conservatory of the Hague) and Claire Guimond (Schulich School of Music of McGill University). She was the second prize winner of the 2012 National Flute Association’s Baroque Artist Competition in Las Vegas. She lives in Montréal, Québec where she is currently completing a doctorate at McGill University’s Schulich School of Muisc.
Boaz Berney studied baroque flute with Wilbert Hazelzet at The Royal Conservatory, The Hague. He is active in various early music ensembles and performs music from the sixteenth to the nineteenth centuries. In addition to his activities as a performer, Boaz also makes copies of historical flutes after original instruments in various European museums. He plays on flutes that he has made himself and participates regularly in international early music exhibitions. Boaz is also researching the history of the flute, and has been invited to lecture in various symposiums dedicated to the historical woodwinds.
Hailed for her generous stage presence and expressive voice, Montreal-born soprano Andréanne Brisson Paquin is equally devoted to several different musical genres, singing baroque, classical, operatic and even contemporary repertoire with the same commitment, rigour, and excitement. Andréanne has sung with many of the great chamber music and baroque ensembles, including montreal based I Musici, Pallade Musica, Arion, Ensemble Caprice, Voix humaines and also Musica Angelica (Los Angeles), Musica and Rhenum (Amsterdam), Ensemble Masques (Paris), Ensemble Odyssee (Amsterdam)
Pursuing the quest for a genuine and creative expression of music, Noémy Gagnon-Lafrenais spends much time wondering and wandering about the past. Noémy performs actively in Canada, the United-States and Europe. She has played with Arion Baroque, Pacific Baroque Ensemble, Trinity Wall Street New York, New Vintage Baroque and Inwood Baroque. She holds degrees from the Juilliard School, the San Francisco Conservatory, and the Conservatoire de Musique de Montreal.
Alexis Risler received his bachelor’s degree in lute performance in 2003. Since then, he has explored a wide variety of vocal and instrumental repertoires of the Renaissance and of the Baroque. During his time in France, he studied lute with Pascale Boquet (Tours Conservatory), with Eugène Ferré (Lyon Conservatory), and with Federico Marincola. In 2004 he founded the ensemble La Chamaille, which assembles various singers and instrumentalists around the lute according to the needs of each concert. His first CD, Dolcissimo Sospiro (2012), with tenor Philippe Gagné, focused on repertoire for lute and voice. Parallel to his activities as a performer, he also studies musicology. His passion for music history enriches his instrumental playing and inspires him to present lesser-known works to the public.